Emile Zola and The Arts

Jean-Max Guieu & Alison Hilton (eds)

GeorgeTown University Press: 1988

Actes du Colloque de l'Université de Georgetown (Washington D.C.), tenus en 1986 pour la célébration du centenaire de L'Oeuvre.

Proceedings of the conference organized by the University of Georgetown in 1986 for the centennial of the publication of Emile Zola's L'Oeuvre.

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GeorgeTown University Press

Washington, DC 20057

Articles en Français de:

  • Pierre Aubery (SUNY Buffalo/Berkeley): “Zola peintre et la littérature.”
  • David Baguley (Western Ontario, London): “L’Oeuvre de Zola: Künstlerroman à thèse.”
  • Janice Best (Acadia University): “Portraits et chronotopes.”
  • Antoinette Erhard (Université de Clermont): “Emile Zola et le Salon de 1880.”
  • Jean-Max Guieu (Georgetown University): “Zola et l’art lyrique: Lazare, livret expérimental.”
  • Denis Hollier (University of California, Berkeley): “L’Homme et l’oeuvre.”
  • Anne Lecomte-Hilmy (University of Texas, Austin): “L’Artiste de tempérament chez Zola et devant le public: essai d’analyse lexicologique et sémiologique.”
  • Jean-Pierre Leduc-Adine (Université de Paris-Sorbonne nouvelle): “Paris et l’ordre spatial dans L’Oeuvre.”
  • Henri Mitterand (Université de Paris-Sorbonne nouvelle): “Inscriptions du temps et de l’espace dansL’Oeuvre.”
  • Joy Newton (University of Glasgow): “Claude Lantier et Stanislas Lépine.”
  • Jean-François Thibault (The George Washington University): “La Peinture en marche: académisme et modernité chez Claude Lantier.”

Articles in English by:

  • Marie-Thérèse Barrett (University of Maryland): “Le Ventre de Paris, Claude Lantier and Realist Themes of Food and Markets in Seventeenth and Nineteenth Century Paintings.”
  • Patrick Brady (Rice University): “Mutilation, Fragmentation, Creation: Zola’s Ideology of Order.”
  • Elizabeth Briggs-Lynch (The George Washington University): “Manet’s Nana: The Connection with Zola’s L’Assommoir and Nana.”
  • John A. Frey (The George Washington University): “The Artist as Failure – Two Brands of Naturalism: Madame Sourdis and L’Oeuvre.”
  • Alison Hilton (Georgetown University): “Le Messager de l’Europe: Zola’s Art Criticism beyond Paris.”
  • William Kloss: “Zola and the Old Masters.”
  • John A. Lambeth (Washington & Lee University): “Zola Photographer.”
  • Philip Walker (University of California, Santa Barbara): “An Attempt by Zola to Define Artistic Creation: The List of Possible Titles for L’Oeuvre.”