Articles en Français de:

• Pierre Aubery (SUNY Buffalo/Berkeley): “Zola peintre et la littérature.”
• David Baguley (Western Ontario, London): “L’Oeuvre de Zola: Künstlerroman à thèse.”
• Janice Best (Acadia University): “Portraits et chronotopes.”
• Antoinette Erhard (Université de Clermont): “Emile Zola et le Salon de 1880.”
• Jean-Max Guieu (Georgetown University): “Zola et l’art lyrique: Lazare, livret expérimental.”
• Denis Hollier (University of California, Berkeley): “L’Homme et l’oeuvre.”
• Anne Lecomte-Hilmy (University of Texas, Austin): “L’Artiste de tempérament chez Zola et devant le public: essai d’analyse lexicologique et sémiologique.”
• Jean-Pierre Leduc-Adine (Université de Paris-Sorbonne nouvelle): “Paris et l’ordre spatial dans L’Oeuvre.”
• Henri Mitterand (Université de Paris-Sorbonne nouvelle): “Inscriptions du temps et de l’espace dansL’Oeuvre.”
• Joy Newton (University of Glasgow): “Claude Lantier et Stanislas Lépine.”
• Jean-François Thibault (The George Washington University): “La Peinture en marche: académisme et modernité chez Claude Lantier.”

Articles in English by:

• Marie-Thérèse Barrett (University of Maryland): “Le Ventre de Paris, Claude Lantier and Realist Themes of Food and Markets in Seventeenth and Nineteenth Century Paintings.”
• Patrick Brady (Rice University): “Mutilation, Fragmentation, Creation: Zola’s Ideology of Order.”
• Elizabeth Briggs-Lynch (The George Washington University): “Manet’s Nana: The Connection with Zola’s L’Assommoir and Nana.”
• John A. Frey (The George Washington University): “The Artist as Failure – Two Brands of Naturalism: Madame Sourdis and L’Oeuvre.”
• Alison Hilton (Georgetown University): “Le Messager de l’Europe: Zola’s Art Criticism beyond Paris.”
• William Kloss: “Zola and the Old Masters.”
• John A. Lambeth (Washington & Lee University): “Zola Photographer.”
• Philip Walker (University of California, Santa Barbara): “An Attempt by Zola to Define Artistic Creation: The List of Possible Titles for L’Oeuvre.”